Hi, Tony here with my first post of the year.
This post is a tale of two cities, two bands, and one song (well, plus another one for good measure). After Trash Of All Nations had finally run its course back in the early nineties, Guy and I transformed its remnants into Childhood Problems. Such is ever the way with bands. The song, one of mine, was basically our theme song, and we would have played it most times we performed. When Childhood Problems performed our eponymous song, Guy used to to do a rap in the middle, with a few basic standard lines, then improvising to suit the occasion. It added a certain edge. I managed to find what appears to be some cover art by Guy for a Childhood Problems demo cassette tape. As far as I can see I don’t have a copy of it. Maybe with a bit of luck we’ll unearth one as we delve deeper into Guy’s archives. In small type at the bottom of the cover is the line “Live in our Living Room”. That would have been Guy’s place in Gibbon St in New Farm. When Guy’s grandmother who owned it died, it got tied up in probate for years, and Guy ended up living there for a fairly nominal rent for the best part of a decade. A modest sized cottage by today’s standards, it would have been built no later than the 1870’s. It was seriously run down, but it had real character. I have some great memories of that place.
John Sullivan and I formed Hazy Space out of the remnants of Beige SA in Adelaide towards the end of 2001 (see the June 2011 posting on this, also note the recurring theme of the regular mutation of bands). With the absence of Patrick O’Grady, who was the driving force behind Beige SA, we began to do more of my songs, as well as John’s original compositions. I did write a few new ones during the life of the band, but naturally we delved into my “back catalogue”. Like most bands doing their own original material, we did some covers too, but very much in our own style.
So here we are delving into my back catalogue, with Hazy Space the band doing Childhood Problems, the song.
From memory it was Gary aka Billy Nudgel, who sang with us for about six months during the second half of the band’s life, who organised the recording session featured here, two or three hours with a friend of his who was keen to try out his new computer recording setup. So the first song I chose to record was “Childhood Problems“. The second song of mine was another one which we had played regularly in Childhood Problems, “Nobody Wants To Know You Anymore”. We also did one of John’s songs and one of Gary’s. I might post them up at a later stage, but John’s song in particular is done no real favours by the recording. As a general aside I have serious reservations about recording engineers who are not musicians. However I am thankful that we do at least have this recording.
I have just recently been back to Adelaide for the first time in eight years after living there for almost six years up to September 2003. I stayed at Patrick’s place, then John’s, and generally had a great time. Thanks to you both for your hospitality. The main excuse for going down was an event for the Adelaide Fringe Festival 2012 celebrating a venue for local bands called Bijou that Patrick organised. Bijou started in 1974 and continued for some years. The do-it-yourself similarities with the Brisbane alternative music scene are striking.
I am including a couple of handbills from gigs at the Governor Hindmarsh Hotel. Club Contagious was a government sponsored monthly event especially for people with disabilities, some in wheelchairs, etc., others with intellectual disabilities. They always seemed to have a really good time, and the event generally had a really good positive vibe to it. We played there several times, both as Beige SA and as Hazy Space.The Balcony Bar gig we organised ourselves, in 2000 as Beige SA and a year later in 2001 as Hazy Space. Life would be a lot easier for musicians if a few more pubs that were regular music venues were open to letting a band have a room on a Saturday night and keep the door, with the pub settling for the bar takings. I doubt if you could even do this at “The Guv” now.